Welcome to Issue 5!
Read it by Clicking the Cover Below!
Featuring
R.N. Penmer, Haley Hsu, Skylar Christoffersen, Linnea Koops, Penelope Orlando, Janey Chuang, Keya Mehta, Thu Bao Pham, Michelle Wang, Madison Cossaboom, Amy Lin, Cirilla Wielgosz, Tanya Sun, Tong Cui, Christelle Lardizabal, Grace Tseng, Inseo Yang, Lily E. Smith, Elena Gibbons, Ria Goel.
“to my brother, who died at seventeen” by R.N. Penmer
i dream that we sit
on the lip of a suburban hill,
watching the valley fill with molten gold,
a honeymelon sunrise.
under the gilded tarpaulin of horizons, you are there
beside me, crushing the petals of a chrysanthemum
between thumb and forefinger, talking
about a car you want to buy, to get from one
axis, one planetary nebula
to another
a car fated
to lie, charred, at the foot of a hill
after tumbling off a mountain road in the late
afternoon, with christina mayhew in the back seat,
two lives evaporating into the evening air
you talk about christina now – a story i can no longer
remember,
although I am reminded of
autumn flowers with their heads plucked off, and twilight,
and stars set against a rim of gold.
it is a funny story, so i laugh. i dream that i laugh
so hard that tears jab the behinds of my eyes.
and i raise my laughter aloft, high
upon the altar of my bronze tabernacle
so the bitter idols of myrrh will witness
the silver-clear threads of my final expiation
then i lift my hand to brush against your jacket,
only to see you disintegrate
into a million droplets of amber.
even in a dream i know
that i am not my brother’s keeper.
About the Author
R. N. Penmer is the pseudonym of a writer and poet from the UK.
“Belonging” by Haley Hsu
One thing about me is that I am a TCK: a third culture kid. This means that I was raised in the culture of my country of my nationality, which is China. Being Chinese American has always been a struggle for me to accept, especially because I’ve never felt like I truly belonged in the country and culture of either America or China.
I grew up in China for the majority of my childhood because my parents were serving there as missionaries overseas. While they served there for 16 years, my sister and I had the blessing of growing up there too. I lived in China for 10 years, which was long enough for me to create the best memories of my entire life and call this country my true home. In China, my family planted a house church and we reached the lives of so many Chinese college students and brought people to Christ. Over the years, we built close relationships and started a small bilingual international school.
I look back now, and if it weren’t for the calling from God for my parents to go serve in China, I wouldn’t have been able to learn about my ethnic background, Mandarin, and Chinese culture.
During 2020, when COVID struck in southern China, my family felt called to go to the United States of America, until Covid settled down in China. Both of my grandparents lived in California at the time, as well as my Aunt and Uncle. And my cousins and other Aunt and Uncle lived in Ohio, so it sounded reasonable to come back here for a couple of months until Covid cases decreased in China. But then, it ended up being that our family was going to officially move here, buy a house, go to school here, and make a new life. China started closing o borders for people to come into the country, and we felt that God was calling our family to make a home here in California. That’s when culture shock hit me hard.
You see, in China I looked Chinese but I always had an accent when I spoke Mandarin and wasn’t completely fluent in it either. In America, my skin color wasn’t white but my English was perfectly normal. Self-doubts and shame began sinking in. And it got to the point where I wished that I wasn’t Asian anymore and only American. Everywhere I went, I wanted so badly to be white so that I could fit in at Disneyland and at my school.
I didn’t feel any racism when I lived in the U.S, but the struggle was still real as I began being ashamed more and more of being Chinese American. When I first started going to school, everybody was really nice, but Asians were definitely the minority in my very white private school.
Over the years, I have had to learn to embrace my ethnicity and identity and accept who God has created me to be. Taking more pride in my ethnicity rather than trying to ignore it or be ashamed I look back on my life in China, and I realize all I took for granted. I miss living on the tenth floor of my cozy apartment building. I miss living in our neighborhood and walking to the grocery store to buy cheap fruits and vegetables. I miss making homemade dumplings, Baozi, mooncakes, and Tangyuan from scratch with our Chinese friends. I miss the heavy snowfalls in China and how in California, it’s summer all year long. I miss having hotpots on cold wintry days and getting to take the bus or subway around places.
Today, I have learned to embrace my ethnicity and to take pride and who I am. That being Chinese American is what makes me different, and my story is a part of me. I wouldn’t trade my ten years of living in China for the world. It is what makes me who I am today. And I love being Chinese American.
“The Tastes of Home” by Haley Hsu
The dinner sounds of bamboo chopsticks clinking against porcelain bowls,
And dumplings and steamed pork buns warming my soul.
Black teas and green teas are poured in ceramic cups,
While simmering hot pot is ready to be served up.
Wafts of garlic and ginger float through the air,
With spicy chili peppers bringing a fiery flare.
Black sesame enveloped in sweet rice balls,
Noodles and rice accompany dishes of all.
Vermicelli noodles and wonton soup,
Dragon fruit cut and already cubed.
Blazing red lanterns with golden tassels,
Festivals with glorious fireworks bedazzle.
Chinese New Year comes for all to celebrate,
And leaves the memories of home that come with a sweet taste.
About the Author
Haley Hsu is a third culture kid and highschool student who transitioned to the United States after her family lived in China for 10 years. After going to a bilingual international school and being immersed into cultures across Asia, she has grown a passion for writing both historical fiction and adventure fantasy stories. She was captivated by the outdoors and nature at a young age and finds joy hiking or camping in the mountains, where she thrives. In her free time, Haley enjoys playing with her dog Banjo and spending time with her family. Haley hopes to be a missionary or speaker one day and spread the joy of the Lord to others.
“The Pistachio Shells” by Skylar Christoffersen
in my grandfather’s garden
he nurtures hope
in the back right corner
where the rabbits can’t reach
he sows faith next to hope
i think it fitting–
they accompany each other,
twisting together in one breath
after all,
what is hope without faith?
you can’t do anything if you don’t believe
in the front of the garden
Grandfather holds a watering can
filled with all of our insecurities
all the Things that consume us–
my cousins and me–
he pours over happiness
its own plot
by the little white fence
my grandfather is so happy
he doesn’t grin ear-to-ear
a softer smile
evidence:
dim laugh lines
crows feet in hidden corners
a content peace
that comes with knowing that you’ve achieved everything
there is
he desires nothing else in life
when we fly in
my cousins and me
he tells us stories
of how he traveled from China
over a sea of blue knitted yarn
in a boat made out of poker cards
grasping a suitcase full of dreams
(which i now know was used to plant his garden)
we sit in a row
on high bar stools
and grow fat on
Grandfather’s cooking
pistachio shells;
and Faith;
and Hope;
And everything he grows;
(in that magnificent garden)
where the rabbits can’t reach
we let the juice of trust
dribble down our chins
eat peeled slices of loyalty
we are not good enough cooks
to learn the art (yet)
so we feast and observe
my grandfather has a garden
his hands are wrinkled and tanned with honey-yellow sun he
reaches for the stems
of hope and faith and new beginnings
About the Author
Skylar Christoffersen is from San Francisco, California. Her favorite book is The Secret History by Donna Tartt, and in her free time (apart from reading!), she loves playing tennis or piano. She has been previously been honored with two Scholastic Gold Keys and an American Visions Nomination.
“Hymns of Halcyon Sorrow” by Linnea Koops
Simplicity is a tide that ebbed away long ago,
carving out stretches of lonesome earth as it fled.
I bury myself in memory, grains of starlight
filling my lungs, but I will never be able to choke
on my own essence. Each breath I take is an homage
to the nebulae that formed my heart long ago.
Every day, I draw nearer to the cloud of eternity
that began our consciousness: the bright eye
of our halcyon skies, open day and night.
The dawn, its clouds laced with silver filament,
contains all the belief we ever dared dream
of, though not nearly enough of the longing
that fills our veins; the unending sky
cannot hope to mimic our glorious impermanence.
I savor my breath and blessed existence
as constellations melt away into morning.
Simplicity is a star that bloomed into
glorious fire; not to be forgotten,
it remains at the core of every heart and chorus,
pulling us towards who we once were.
About the Author
Linnea Koops is a senior from Shaker Heights, Ohio. She is the president of her school’s creative writing club, as well as a co-editor of her school’s literary magazine, The Seam. When not writing, Linnea enjoys playing the violin and spending time with her cats, Merry and Pippin. She enjoys reading the poetry of Mary Oliver and her favorite word is “quintessential.”
“Green and Gray” by Penelope Orlando
I yearn for a place I have never been
Deep in the green of Crimea
Where the shade cast by the Pines provides a cool refuge from the Sevastopol sun
Where the Black Sea sprays its salty mist upon the faces of sailors
Where the smell of ciborek eases the worries of winter
Where the stray cats play in the cobbled streets
Where the birds sing the song of lost souls
Where the wind whispers of hope
Instead, I find myself in a place much more familiar to me
A world of gray
Lost in a storm between seas
Caught in oblivion
I meddle in the valleys of mountains
The self is home to the unrested soul
For on my face lies the manifestation of history
And in my voice, the echoes of generations
About the Author
Penelope is a senior in high school with a passion for writing and studying literature. For her, writing is a medium to both understand the world and communicate with it. Through her poetry, she hopes to bridge the gap between people, places, and time.
“Aesthete” by Janet Chuang
I.
I have always wondered
how the sweetgrass found my
bedroom I chose in the acreage of
other pretty bodies. I mean how
insomnia’s volutions managed
to dig these shapes, words, with
its polished hands I should
and would, take, this
floorboard and pin it to my
skullcap. This is how
the masters wrote the earth
without cultivating a single iris, under
some constellation governed
by the fabric of their skin maybe
the globe and the white pills
bleeding through Tuesday’s checkup is
another portal. Maybe the
words are grooved with dinnertime
silence I find that this sustenance
is better than the lung’s
betrayal. Drowning. My pen smells
like Sunday Church where my
By Janet Chuang
mother spills her mouth onto
my legs, I plead. I bend the pen
into something else much like
the notebook margins my mind
reads blank lines as religion, Lord,
I want to touch something, something
that has bluets breathing
under the achilles heel and
touches me back.
II.
Just like how my
father reads the Bible I gush
tea onto hydrangea, hoping
this epoch will be not an
iota of my mother tongue, translated, rather
the string
keeping my spine straight. What is
a human if not the organ
I strummed as the sky moved
past me with pride, November
sandalwood in his lips as
the rain falls through him, what if
the city died and I am
halfway through heaven will,
her mouth be forgotten? The biology
lady that fed me everything
I needed to know about bodies will
her house be coffins to the kneecaps
that rubbed my cheeks clean from
paint and rivers, what eloquent things
that speak the language of sustenance to
the stars and back.
“Andrea's Anatomy” by Janet Chuang
My keyless car parked
in the dimensions of a tomb,
bruised lilies
filling the unexposed bumper
with a scintilla,
of the days when molasses drained
my torso with wind,
that knocked some sense,
into a woman that veined her apertures
next to the man
she swore her last ketamine
on.
She has never spoken to me since.
Her mouth backlogged
with words she can’t seem
to find out loud.
The roof sank with her
into the reefs flooded with
present tense from
her father’s tongue
young,
like the snowflake she thought was sedatives
whetting the boy
she met on July 17th when
sea still looked like
her skull, an apple rot of too many kisses
and skin, she says
“I’m sorry, I’m sorry”
his eyes looked like a boy
his limbs somewhere in
the waves cleaving
triangles up her stomach,
moss-mixed sand
trailing her womb he stopped
and smiled like someone else she used to say
looked like her father.
“the woman who grows nightshades in her garden and keeps a collection of roadkill” by Janet Chuang
Like a nocturnal bird, she feeds wings only for them to snap,
in a daylight feast,
They say, a body made by the moons that touch her like father,
with the light drained out of them. A pore,
of the fall she witnessed,
some exit wounds left open. They are folds,
They are her eyes.
My confusion grows like the plants at her window,
shapeless creatures. Odd nature that runs through stringy
veins that kiss her forearm, chopping shoots of public petunias,
replaced with nightshade scars. She swallows,
soups with forks and bathes in sap, I wonder if
she is new. I wonder and wander the ground,
knee-high weed, the hostility,
When I lapse the opal fence the syllables,
slip, she moves.
Her limbs do, a mutilated doll. She leaves her clothes out in the rain.
a voice out to dry.
They say lores live when tissue meets tongue,
and gives birth to worded knives. Hide. She might hunt you,
poison your afternoon teas. Run.
but she is watching.
I watch her twisted spine, oozing flesh into the many mouths, of a dead dog.
She believes food
can make up for meat lost. She likes sharp things because she feels safe
wearing them.
The hound’s bones rewind like stillborn gears. The neighbors charm
a gun at her stomach, madwoman glance stabbing, silent pomegranate seeds
through the open mouth. What is
a woman if not her teeth and the things she devours?
Beetles in margarine jars.
Headless barbie dolls on hardwood.
She pokes a skull out to the lawn, lights a cigarette that melts her jaw, her
imaginary sons and daughters.
Mouthing Margaret into gastropoda shells, she keeps the dog and doesn’t eat it.
Smokes the road gray but doesn’t breathe it
in.
Fingers slide to the genital wound, a slit cavity pressing mind
on the palate like a promise
to not eat children
because they slipped through her two feet
like a porous wine.
Slurring in the kitchen was never
tongues sewn to porcelain. It wasn’t
the heat waves or the
gluttonous liquor, it was him shoving
words that she can’t pronounce
down her porcelain throat,
like a needle down womb.
Mother, a word she will never hear or understand
so she carves it on the left eyelid
like how a blind man pours blood back into the earlobe of a genuflected
daughter
veins bulging like the sun scrubbed
chalk roads and vanilla ice cream
until hands touch the dark line
slick black spline
through the airway
legs split like a tongue
lost. She bleeds but still breathes.
Not the one inside her.
The sky was red and blue, purple.
By red, I mean, her blooming skirt.
By blue, I mean,
A weeping reduced to violet seeds,
A fruit cut loose in a place she’s known too well
to lose, a cranium detached. I called it metamorphosis.
I don’t see her now.
I don’t think I can.
“Harvest of Hopes” by Keya Mehta
I walk through the soil, mud kissing my feet
My hands outstretched yonder, to collect what has grown so sweet
My hands enclose the precious bounty, belonging to those who came before
Whose bodies have given this land what it so yearns for
Who lived and died, and laughed and cried, and now lay beneath
Whose whispers echo in our minds with every bite we eat
Lives spent sowing, growing, knowing
Their blood now in us, flowing
Each petal fallen down, to wither upon the ground
Each life lost to the autumn winds, silence now sounds
Every dream they dreamt now lives on through us
Every day we’ve spent, to them entrust.
The nectar that flows forth, the skin that’s peeled away, are gifts to us from those
Who are with us everyday.
The nourishment we receive are their prayers full of possibility
Their deepest desires burn like fires, so bright we still can see
This is no mere cornucopia watered by flowing streams
No, this is an orchard of joys and glees that is rooted oh so deep
And now we reap the fruits of yore, for aid as we climb these slopes
These are the dreams of our ancestors, and this is our harvest of hopes
“surviving my charity trip to ta phin” by Thu Bao Pham
Under the warm sunshine of the spring weather, hidden behind canopies of budding green leaves, a small H’mong village nestled humbly behind the majestic ranges of mountains. Here, life goes on silently – peaceful and poetic – but there is also a certain sense of isolation and despair as if the scenery is a reflective image of the lives that dwell on it – simple, yet poor and unfortunate.
A few months ago, during a volunteer trip to Lao Cai, I had the opportunity to visit the 9th village in Ta Phin, Vietnam, and got to know two families there. Amidst the troubling days of a global pandemic, being able to travel and witness the lives of those less privileged made me realize just how fortunate I was.
The only means of reaching the village was through a small dirt road; all was well when the weather was dry and brisk, but should there be a downpour, the road would get so muddy and sticky that it was almost impossible to get through. As I ventured deeper into the village, clear disparities in the scenery became evident. Brick houses with corrugated iron roofs appear fewer and fewer until they all but vanished. There were no power plants with overlapping wires, no cars or motorbikes with deafening honks, and no sight of a human being within a 2 kilometers radius – everything seemed to belong to an alternate reality, one that was completely separated from the modern life we all knew and loved.
Scattered on both sides of the road were shacks made of earthen walls and thatched roofs, each had a small plot of land where the residents planted trees. The choices were diverse, ranging from oranges and tangerines to grapefruits and vegetables, but almost every family shared a thing in common – a plum tree by the stone fence. Under the dark gray sky of the winter, plum flowers blossomed like snowflakes. The color was so pure and extreme, that it lit up the sky. My eyes ached just from looking at it.
After walking about 1.5 km from the main road, I could see the residence of the first family coming into view, but the only means of reaching it was through the waists of the neighboring houses. The waists were small – only one person could go through them at a time – but the pits below were steep; my stomach couldn’t help but churn whenever my feet slipped on the muddy ground. It made me wonder just how people managed to travel every day.
My destination was a dilapidated shack belonging to a young mother of two. It had the typical Hmong architecture: outside were four earthen walls and one bamboo roof; inside were three separate compartments, two distinct kitchens, one balcony, and one ground-level floor. But what impressed me the most was the smoke.
Columns of gray smoke billowed densely from the charcoal stove and lingered in the intensely black abyss that was the house. Even though it was daytime, not a single ray of sunlight could penetrate through the walls, as if the house itself was a suffocating black hole. Welcoming me at the door was a young Hmong mother who carried a child less than two years of age on her back and held on to another slightly over seven in her hand. Although it was freezingly cold outside, neither of the children wore pants; Their mother said that things were rough and clothes were expensive. There was nothing else she could do.
When asked about the whereabouts of the children’s father, the young mother just covered her face and sobbed. A few years ago, she took her kids and fled from her abusive marriage, running away to Lao Cai hoping for a better life. But obstacles follow obstacles. Putting food on the table was already challenging on its own for a single mother and two young kids, but now with the pandemic, things just took a turn for the worse.
“I don’t even have their birth certificates, so the kids can’t go to school. The oldest is seven years old and still doesn’t have a single clue what the alphabet is!”
Her desperate sobs were still echoing in my head when I arrived at the residence of the second family. Like the first one, this old H’mong couple was also living in a dilapidated shack that could barely withstand a wind blow. No electricity, no light bulb, only a coal stove to keep warm on the winter days, this house seemed to tell a similar story to the previous one, albeit different in situations.
The old Hmong couple used to have three children, but one after another, they passed away: one got sick, one was killed in an accident, and the other committed suicide. Now, at the age of 60s, they still couldn’t have any moment of peace when there were still three young children to look after. Raising livestock and growing crops in the land behind their house, the couple managed to scrape five million Vietnam Dong per year. If they only had rice for two meals a month and ate vegetables for the rest, then they would have enough money to feed 5 starving mouths. But their grandchildren were all of school age – they grew up fast, consumed a lot of food, and were eager to learn new things. Seeing her eldest granddaughter yearning to continue high school, the grandma could only hold back her tears. She barely made enough money for food; how could they afford such luxurious education?
The stories above are just two out of thousands and thousands of less-fortunate souls dwelling in the north of Vietnam. In poverty, those honest and simple hearts still persevere, striving for a better and brighter future, like a bud rising to receive sunlight on cold winter nights. They hold on to the belief that every cloud has a silver lining, that the sun always shines after the storm.
Ta Phin – a tranquil and picturesque land, but also burdened with despair and poverty. The people here are in great need of help and support from the community to build a prosperous and happy life for themselves. As for me, I have realized just how lucky I am, and how many souls out there are yearning for the bare necessities of life – something that I took for granted. With a grateful heart, I want to give my sincerest “thank you” to all the friends and people I have met along the way. Thank you for opening my eyes and helping me see things that were invisible before.
“Mama's Ramen” by Michelle Wang
Art by Ria Goel
"Ah Meimei, if you ever get cravings at college, hot water, a dollar, and wa-la! You got yourself a bowl of mei-wei food," Mama says with a heavy accent, her attention focused on the second cup of ramen. Carefully, she pours in the boiling water, and the steam rises, weaving its narcotic tendrils through the frigid air, mingling with the puffs of our breath. All the while, the rattling furnace adds its own uncertain rhythm to the symphony.
In the kitchen, it's just the two of us, with me perched atop a stool, the briny scent of MSG and artificial chicken soup enveloping the atmosphere. "Mind you, don't make a habit, or else you will gain weight," she continued, wrinkling her stubby nose, her concern evident. "But you know, it’s all survival." She lets her sentence hang in the air, filling the silence with the clattering of utensils.
Survival; to Mama, that word carries a weight beyond measure. Her story is a familiar one: the tale of the American Dream. She was once a bright-eyed girl; her hair adorned with pigtail braids, her wide grin revealing deep dimples as she embarked on her journey across the vast sea. Her bag held a mere twenty dollar bill, bearing the scrunched eyebrows of Andrew Jackson, destined to be spent on the inevitable taxi fare. It was a voyage in pursuit of a new beginning, a glistening prospect that enticed her.
With her skewed pronunciation, she leapt from one job to another, each one a stepping stone on the path of survival. It led her through cramped and suffocating houses, where weary floorboards creaked beneath her every step. Shelves held nothing but a worn-out wooden bowl and chopsticks. She learned to savor every morsel of meat clinging to a tiny bone. Day after day, she wore the same clothes, styled her hair in the same manner, and consumed the same modest fare.
Then, one day, she toiled her way to a point where she blended seamlessly into the tapestry of middle-class existence. And perhaps, in that moment, the line between survival and living began to blur. But remnants of unfulfilled dreams would always seep through the cracks. Eventually, those cracks birthed me, and I became the answer to her unfinished American Dream—a vessel for her happiness, her hopes, and her "dreams."
And perhaps, in that dance of intertwined fates, I too became a part of her survival. No victories emerge from the clashes between child and parent. Ultimately, both parties bear the weight of defeat. I grasped this truth at a tender age, yet I remain unwilling to back down. Clumsy hands clutch onto the fragile remnants of my pride.
Mama, too, possesses this unwavering stubbornness. Her gaze cast downward, her face gradually flushing with crimson, her temper ignites at the slightest provocation—a bad grade, a thoughtless remark, a playful joke. And more often than not, it is I, striving to douse the flames, who inadvertently exacerbates the fire.
It often happens when I become too much like her, repeating the very mistakes she struggled to shield me from. The summers that followed 2020 carried no traces of soft sunlight, where washing lines adorned with billowing white linen clothes swayed lazily in the breeze. There were no promises of peace flowing with a hazy glow into our homes. Instead, those seasons became a tapestry woven with the threads of our weekly disagreements.
It crams the air with a trance-like dance of shadows, darting around each pushed-away chair, as we stood up thinking we’d be heard better. Thunderstorms and lightning lulled us to sleep, as sticky tears dripped onto cotton pillow sheets. Echoes of angry shouts minutes ago, still ringing around in each ear. We were trapped in a home with no escape.
"I do all of this for you!" Her words hurled in a crowded parking lot. "All this time, for what?" Her palms slammed against the table. "If only you had studied harder." Her eyes pinched with disappointment. The cycle repeated. I yelled back. She snapped back at me for raising my voice. We subjected our ears to the assault, our parched lips salivating with each angry word, accelerating the argument until neither of us could decipher the other's meaning. Amid unspoken sentiments, she offered visions of grandeur, success, and dreams, if only I would listen. A compromise always lingered in the air, but neither of us was willing to yield.
After all, Mama and I are cut from the same cloth, bound by an inextricable thread. We are each other's reflection—the embodiment of what could have and what might be. Our strife remains unresolved. There is no “sorry” in our household. And so, after each conflict, nothing unfolds. “A family needs none of that,” Mama always says with her mouth pursed into a flat line. But sometimes, forgiveness tastes like Mama's homemade miso ramen.
"Always start with homemade chicken broth," she advises, shuffling through the cabinet. "Fresh noodles, too," she adds, as the steam hisses from the pot. "And to top it off, a sunny-side-up egg." Her sturdy hands guide my wrist, tap, tap, tap. The egg settles into the bubbling concoction, its golden yolk beaming up at me. "Aya! Two yolks in one—something good is gonna happen to you!"
Mama learned to survive on her own in America, but perhaps she can live her dreams a bit more through me. As much as I resent that bitter yet saccharine dependence, I will always forgive her. For, when all is said and done, how could I have weathered the storm without her by my side? There is no “sorry” in our household. Nor is there any “I love you”.
Love has always been a privilege for Mama—she, who conceals her heart behind the fortress of calloused hands, unkept promises walling off each sickly sweet emotion. She, who had to learn to buy grass-fed beef and organic apples, as the cheaper alternative had always been the one placed in the rattling grocery cart. She, who finds solace in savoring the remnants of meals. She, who haggled persistently for over thirty minutes to secure a discount on the jacket she purchased for me.
And perhaps love tastes like all of that. Love tastes like succulent, tender kosher chicken and the crisp bite of freshly cut red bell peppers. It’s noodles dancing in a golden bath of fragrant oils, adorned with delicate green onions and sprinkles of sesame seeds. And even though we will never truly understand each other, maybe we can both dream the same dream—one of radiant, blushing faces, the color of freshly cut tomatoes. Soft laughter will fill the syrupy air, ramen broth trickling down our chins, as gentle hands wipe it away. And perhaps both of us will truly live a little bit more.
About the Author
Michelle Wang is a rising senior in high school who likes reading and writing. Although she is planning on going into an environmental related field, she enjoys writing in her free time in order to bring her thoughts to life and connect with others.
“Last Names” by Madison Cossaboom
Long nights, I spend dreaming of a river
Winding between wooded plains and forgotten prairies
Softly breaking to caress sunkissed grass
Walls which shelter the aspiring ants
I dream of the tulip fields claimed by the sun
Serving as paint on the planet’s canvas
A landscape soon to be perpetual
In the memories of another
I dream of the places
Only my last name has touched
The ground only to be walked upon
By the feet of my ancestors
Digging their toes into mother nature’s soil
Forever enamored to restful lands
I dream to be home
The place native to my body and flesh
Where my last name grew and flourished
With spirit only legend tells about.
About the Author
Madison Cossaboom is a rising senior within the state of Delaware with a passion for writing and tea. Her writing has been featured in the TeenInk Literary Magazine, among others. When she is not writing, she probably has her nose in a book while enjoying her cat’s company.
“Paper Hearts” by Amy Lin
Art by Ria Goel
For my birthday, he gave me a thick sheet of construction paper, cut in the shape of a heart.
“I told you,” Chase said sheepishly, “I’m a terrible gift-giver.”
I laughed, but the truth was left unsaid. For me, Chase being there was a gift enough.
That evening, Chase and I stood on the roof of our apartment, watching the sun fade into the horizon. “Why so quiet?” I asked.
“Contemplating,” he replied, pulling me towards him. I melted into his grip, and he whispered in my ear, “Happy birthday.”
I rested my head on his chest and smiled. A cool breeze tousled our hair, and when I looked up, Chase’s eyes were misted over. I straightened, startled.
“I put everyone through hell these last two years,” Chase said.
I laced my fingers through his. “All that matters is that you’re back. You’ve learned and changed.”
“My dad won’t come back,” he said stiffly. I was silent, so he continued. “It kills me, Sophie. It kills me so bad that I can’t fall asleep because I can’t forget what I did. It doesn’t matter that I changed. I still ruined everything. Our savings are wasted, I hurt you, and my dad...”
“Stop,” I begged, my stomach clenching. We had this conversation after Chase had gotten out of prison a few months back, and I didn’t want to have it again.
“Everyone always tells me to let go, that the past is the past, but what I did... I don’t know how not to hate myself,” he continued, his voice breaking. “I don’t know if I’m who you want.”
“Stop,” I said, and this time he did. “You weren’t here for my birthday last year. Let’s just enjoy being together today, okay?”
I wrapped my arms around Chase’s neck and leaned in, desperate for a distraction. He didn’t resist, but when our mouths met, I could sense that his thoughts were far away.
The apartment was dark when I returned from work the following day. I flipped on the lights quietly, thinking that Chase was sleeping. After peeking into our bedroom, I blinked when I saw that no one was there.
“Chase?” I called. “Where are you?”
I let out a breath when I saw the bathroom lights on. I knocked on the door, but there was no reply. The door was unlocked, and when I opened it, I stood, rooted in place.
“Chase?” I whispered.
Everything seemed to blur into a haze as I stared at the unmoving body lying in front of me. The floor was covered with vomit and white powder.
My legs buckled, and I stumbled forward. Where had he gotten the powder? Hadn’t the police confiscated it all? I reached out a shaking hand to caress Chase's cheek.
It was cold. Too cold.
Then, I spotted a note clutched in his hand. I read it over and over, unable to process the two words written on it.
I’m sorry.
Six months later, as I was sorting through my belongings, I found the paper heart Chase had given me stuffed at the bottom of a box.
As I held it up, I remembered the way the doctors shook their heads, the way I sank onto my knees, and the way I blamed Chase, blamed myself, and then blamed no one at all. And then I talked. I talked like Chase was still there, next to me, holding me. I told him it wasn’t his fault his mom had hurt him to the point where he felt he needed to resort to drugs. I told him it wasn’t his fault the truck driver had slammed into his dad after they had gotten into an argument. I told him that, yes, he had let me down at one point, but I never stopped loving him because I believed he would come back better. And then I told him I was sorry I hadn’t said the things I was telling him now that night on the roof; sorry that I had been too selfish to say the words that might’ve saved him.
When I left the paper heart in the box again, it was dark with tears.
About the Author
Amy Lin is a high school student from New Jersey. Besides writing, she enjoys drawing and playing sports. She also enjoys different shades of blue, and she prefers mountains over beaches.
“Scents” by Cirilla Wielgosz
It was as if the wind had sprayed all of the scents of the earth upon me.
I felt the tropical smell of exotic fruits on Hawaii and the bitter cold scent of Iceland nights when people watched the Northern Lights. I smelt the fermenting of the plums in my garden, the fresh, lively scent of newly washed laundry that women were hanging out on their balconies, the bittersweet aroma of strawberries on farms and lanes in England and the sickly sweet scent of roses which girls picked from their gardens on late summer nights. The heat of the Egyptian desert filled my nostrils, and the icy coldness of the Siberia touched the tip of my nose. I could smell the warmth of hot winter soups that mothers prepared for their children and the sour scent of lemons, as girls and boys made lemonade stands and sold this refreshing beverage to the pedestrians on the summer streets.
I scented the petrichor in forests of Europe and the damp, warm smell of rainforests in South America.
The salty smell of sea brushed against my nose as the scent of the Atlantic Ocean came to me, followed by the sharp, distinct smell of eucalyptus in Australia, where koalas spent their whole lives munching those fragrant leaves.
Everything came to me in one breath, one call of the wind. As I drew in the oxygen from the air, I felt like I was drawing in all of the fragrances of the earth and within them all secrets that the world contained. Aromas reached me even from the most hidden parts of our planet, scents so compelling I could not even describe, scents I knew perfectly well and I smelt very often and scents that I had never encountered in my life. I was breathing in the whole world, as the whole world breathed me in, swinging me higher into the air.
Someone was calling me, a faint call that told me to come back inside, detaching my mind from all of the fragrant for one moment.
“I will come when the wind stops,” I replied, and the invisible element gave a whoosh of joy and merriment as it covered me again with all the parts of the world and stories the scents held.
And when the wind finally stopped, I felt so overwhelmed by such a large amount of aromas that I could just sit there, on my swing, blinking, the pictures that reappeared in my mind flashing wildly like the lights of an ambulance.
About the Author
Cirilla Elizabeth Wielgosz is a 15 year old high school student, who loves to write stories and poems. She was born in London, and now she lives in Poland. She is writing a book, which she hopes to publish one day